Saturday, April 7, 2007

Funny Greek Life Awards

MEET THE "SPEED GENERATION" / 05.04.2007 - Presentation Feltrinelli Viale Marconi - Rome


great success for the presentation of "I'm going to hell in Porsche " by Pier Francesco Grasselli (Murcia ), the novel tells the story of the bloody reality of kids dancing, following the successful The Last Cuba Libre (Murcia 2006), held Thursday, April 5 at the Libreria Feltrinelli Viale Marconi in Rome. The speakers, besides the author, Prince Guglielmo Giovanelli Marconi , who admitted he had "devoured" the novel by Grasselli and observed that it "brings to light the reality of young affluent rich province of Emilia with all its dark sides and problematic, "Patrik Magnani, an organizer of social events, which asked about the" night life ", said:" Not only the reality of the nightlife, but that of all young people is photographed in a stark and ruthless in the pages of shocking "To hell I go by Porsche. "" This is a novel that entertains and thrills at the beginning, but after a series inspires reflection on the destination to which you are directing the younger generation, "said Simone Scholtter , event organizer for the Moita Productions and manager of the wine bar Cesaretto Via Bocca di Leone Rome. "These are young people obsessed with status symbols and image," he added Pier Francesco Grasselli , twenty-nine years after his second literary evidence 'L' Last Cuba libre "(three editions)," young people seeking their emotions more and more violent because anesthetized to reality because of the luxurious and well-being in which they grew, because speed at which everything moves in the new millennium, which brought them to experience all too soon. That's why Speed \u200b\u200bGeneration.
In a time when the government is discussing whether to launch a decree for tougher punitive measures against those driving under the influence of alcohol, the author tells of a generation in search of ideals, through the eyes of who gives voice to a world too often the subject of generalizations and stereotypes. "Tale of the reality of young people who consume the nights at the disco, altered by alcohol and" paste ", who live in search of excitement quickly, for immediate consumption" Grasselli continues. "It 'a generation living in places that adults do not know. Young but united by their thirties empty. I tried to tell, to make the voice of these guys do not like but they are there. Just go to any nightclub on Saturday night to find them. "
arrived in bookstores only four weeks ago," To hell I go by Porsche "is already in its second edition. A decree by word of mouth among readers who find in the stories Jessica, Claudio, Tony, Gloria and the other characters in the novel a photograph of their generation. Grasselli in his novels has left a free hand to the characters that are told in first person. There is Jessica we're all, Claudio pulling coca and Constantine that puts it all, but there remains the eternal loser, Tony obsessed about sex, Gloria the strophic and around them a world of easy money, of afternoons spent in front of the playstation or MTV videos.

books Requests for reviews / interviews: Press Mursia ufficiostampa2@mursia.com
Info author www.pierfrancescograsselli.com

Tuesday, April 3, 2007

How To Moisten Blunt Wraps

The Smurfs - Episode 2:" The Smurfette becomes good "- the first part

A title distinguishes this unfortunate episode, as revealed beforehand to the audience the ending of this epic two-part episode. The Garga

invents a new plan to capture the heinous Smurfs: mixing a bit of junk in his pot creates a Smurfette, looking for a small golem Smurf on which the sorcerer has a power almost absolute, and whose goal is to bring confusion and chaos in the village of the Smurfs, Gargamel finally to allow to catch them. At the

Smurfette is a little chap with black hair a little sloppy and badly dressed, like a dishwasher in a bar the suburbs, however, is smart and clever and tries to seduce some Smurf and then take it to an isolated area where the Garga can capture. Needless to say, the Smurfs do not allow themselves ensnared by the befanetta blue, so Plan A (bring chaos seducing Smurfs galore) fails miserably.
Smurfette But, being still and sciattosa witch, also has the gift of understanding, so decide to indicate to the Garga the position of the village through the sabotage of the dam which protects the town of Smurfs by the rushing waters of the River.

Needless to say, thanks to the providential sole Smurf dressed in red (Papa Smurf), yet the diabolical plan B is stopped. Not before, however, that Smurfette had time to fall victim of his own machine, the default racchietta falls from the dam and is dragged from the water escaped from the dam, to be finally saved from certain death by the joint action of all the Smurfs .

E 'at this time tormenting the Smurfette, moved, finally breaks down and confesses to the leader of the Smurfs Malvaglia its nature and why it is was created: the capture and annihilation of all the little creatures blue.

[end of part one - continue]

Lean Mirror Wall Prevent Slipping

The Smurfs - Episode 1:" Smurf Apprentice "

In this episode (but also in those who follow him) for some obscure reason the Smurfs are all strange English names, such as Clumsy (which should be Tontolone) Brainy (Quattrocchi) or other that not even understand.
The only people who call themselves as they should have Papa Smurf and Smurfette (who appears only in the second episode) and Gargamel (although it seems that they call it's throat, I have always believed it was called Gargamel) and the cat Birba.

Episode

Clumsy Smurf is the most bumbling of the village, everything he does leads to sizable pies, for which the other Smurfs are beginning to exclude from their activities puffose.

So Clumsy (Tontolone) decides to get respect by becoming a wizard like Papa Smurf, but (of course) the Papa Smurf kindly declines the offer when the Clumsy is proposed as a laboratory assistant.

Clumsy is a cool guy and not give in, decide to learn the ropes on the other magician in the neighborhood, the sorcerer Gargamel (or garganelli, if you prefer).
One morning before dawn moves away from the village of the Smurfs and Gargamel infiltrates the lab to snatch the arcane secrets. Clumsy is
While looking through the book of spells here that Garga Garga returns from his morning tour of the marshes in search of ingredients and suddenly feel the smell of blue disgusting little creatures in his laboratory. Clumsy
is forced to flee, but not before he had stolen a page from that book .. a page that contains a spell of genetic mutation in puffrettile smurf.

The page will cause him and the Smurfs annoying problems, but eventually the happy ending is a given with the Smurfs that degrade the Garga in a frantic final clash in the laboratory and the sorcerer who is reinstated Clumsy (as well as ripuffizzato) full in the village despite his clumsy awkwardness.

NOTES SYNOPTIC

Already in this episode we notice some standard features of the series:

1), the Smurfs have a smell that distinguishes them and Birba Gargamel and are able to perceive;

2) Birba Gargamel and for some reason they never manage to win in physical clashes with tall beings little more than two apples and indeed often hinder each other. TECHNICAL NOTES



the side of the dubbing process is known as the Smurfs are not very beginning characterized as voices, but since the episodes immediately following each floor plan is always better to be uniquely distinguished.
From the point of view of graphics are witnessing a similar phenomenon, the differences in graphics soft top will soon be much more pronounced.

Wednesday, March 7, 2007

Average Number Of Members At A Gym

"beautiful, faithless lost e. .." - Review of Ennio Rossignoli to "The Last Cuba Libre" for presentation at the Hotel Concordia, Cortina D'Ampezzo

White Rum, Coca-Cola, lemon ice: it is the drink that took its name from the cry of the Cuban rebels to the English domination in the last nineteenth century. It 's the Cuba libre, which is the title of this book in despair, in which you drink with method and with the culture of a member dell'Aibes (Which would be the maximum of the barmen in the brotherhood movement) and in whom you have sex, in fact we are the girls with the same method and with the culture of a kamasutra without much imagination. Sex
as serial jobs, a variation of the identical, in fact Andy Warhol moved into the bedroom. But behind the exercises of love horizontally, snorted cocaine, booze to rock rhythms, there is a vacuum, they move groping the intertwined lives of a group of young people in the affluent province of Emilia. An empty soul, that hellish crowd of dancing, their bodies stuck to the bodies and searched by hand indifferent, can not fill, and even the accessories are, of course trendy, which are armed with these young people well, then so much is not: mobile super, super car, the strips of Armani or Versace or D & G, which for the uninitiated is the magical figure of Dolce and Gabbana. Screw
reckless, by Vasco Rossi an easy rider in ours, that the chopper - the bike lying of '60 - has replaced the Porsche Cayenne, and travel on the road on the endless roads of America in search of freedom, the small race stage of a generation - or at least a sample - which has lost sight of the goal and does not know or do not want to know that his freedom is - false - the anarchy of feelings, deception induced by the laws of each consumption . A story for
as it were open, that does not begin and end according to the traditional: it is first started and out of this book, and out and then it will continue, but with "The Last Cuba libre" has left an imprint in the form that apparent breach of an essay on sexual cannibalism and contains quite a few reasons to reflect on how and why young people come to squander vast resources, mental and psychological and refuse to plan a future in excess of a around the clock - of course Rolex.
Pier Francesco Grasselli - a fierce vocation for writing, and soon discovered since then doggedly pursued - let 's "Autogrill" of his first travelogue for the most demanding test of the novel itself: a kind of old, from the time of the Greeks and Romans through the centuries to establish itself in the modern age. E 'il was chivalrous adventure, historical and social, realistic, intimate, and has removed the man's world, abolishing the subject to lay eyes on the "totality of things", was political and entertainment, action and training, but whatever was the habit has forced on its pages for generations men in search of truth, or substitutes for those truths which are stories of literature.
For "The Last Cuba libre" - which is inconvenient Watson Kierkegaard or - you can think of a novel definition of "behavioral," or maybe "existentialist" but I especially felt a sort of cold dossier on frantic, foolish, full of hedonism as a cortex rich youth burns his life thinking to embrace her. They fight the boredom and the fear of boredom running at 200 per hour in the darkness of nights, or slipping in some sex-party in which they are trying to kill the loneliness. As in "Reigen" the circle of Arthur Schnitzler, what happens is closed in a circle in which the actions are repeated, but change the points of view from which the players and watch them live.
Leo, Jessica, Tony, Gretchen, Claudio, Max: beautiful, unfaithful, sexually insatiable, even capable of feeling, but never to make it a core of the soul. Students failed, who are satisfied with the 18 "garden" - that is put on test booklet thrown out the window in disgust from the professor - but connoisseurs of exotic drinks and every musical slang. A procession without happiness, which moves in a world painted in black, screaming as the last CD, which is where it leads the inertia of a pleasure that repeats the usual rites in the usual places: the "Disco Labirinto", a circle of hell where they lose their minds, and Cortina D'Ampezzo, where you need to be confirmed members of the community happy few, the privileged few, or those who seemed to be. A Curtain of yesteryear in the snow, visited the places where they make jokes sex portable toilet eroticism for women. Scandal? Cortina in high politics, the big business of big sports, everything takes place: even the unsavory habits of the young lions in vacation travel. Chips transgression that once fucked in a hurry under the carpet of respectability, and now hover in the air bracing of the Dolomites free, and if found, as in our case, someone able to collect and deposit them in the pages of a book, remain nothing more than trivial details of a story far more important.
On the other hand, is it not true that even the obscene literature offers the opportunity, the means of a purchase, transferring it as a document of costume in the space of art, or its vicinity? The list is long, from Henry Miller to Lawrence, and from Bukovski Houellebecq, so it is in good company the young Grasselli, but does not accuse relatives, because he is the son of the civilization in which everything can be hard - from sex to music, cinema, language, time in which all lie on the speed of the mill, where the only perceptible dimension of this is that in a moment is gone, and where the feelings have the place of feelings, impulses and thoughts of the place. So his book was bound to be a faithful witness: I first talked about the novel, but perhaps I should speak of a compilation of lives torn, a collection of clips and allusions, however explicit, such as advertising a youth wrong. George Bataille wrote that eroticism is the deepening of life even into death, but the protagonists of this book, these last trincatori Cuba libre, glide over the life without questioning, and death - when they encounter - is nothing more than a setback, a hitch in the operation of habits.
And so, instead of eroticism, here is the copulatory bulimia, secreting the mood, but leaves the soul dry. You can even kill and immediately turn up the volume of the stereo, trying to maneuver it into something happy and carefree, and drumming his fingers on the steering wheel, and start again. Stendhal said that a novel is a mirror that goes in the street, sometimes reflects the blue of the sky, sometimes the mud puddles. Today, instead of the mirror is perhaps the phone, but the landscape does not change: read this book, and I'll agree.