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Domus Aurea grotesque painting

At the end of the fifteenth century, a young Roman accidentally fell into a slot on the Aventine hillside, he found himself in a strange cave, filled with painted figures. Soon the young artists of Rome were to get down on boards hanging from ropes to see for themselves.

The underground rooms of the Domus Aurea, the ground was covered with cave-like and that is why the Romans called the cave. Some frescoes discovered are then faded to pale gray stains on the plaster, others are still in fair condition. , The effect of these decorations "grotesque" were electrifying in the Renaissance.
The grotesque is a type of wall decoration featuring plant forms, human figures, geometric motifs, freely combined with each other, the second light, imaginative rhythms.

Among the painters of the era often did fall to study the fanciful paintings were found there as Pinturicchio, Raphael, Giovanni da Udine, Morto da Feltre the (so called because they spent more time below and above the earth), Bernardo Poccetti, Marco Palmezzano (the first to bring the grotesque to the north of the Apennines), Gaudenzio Ferrari.

The painter Bernardino di Betto, called "Pinturicchio" was one of the first to use the grotesque decoration

in his paintings, so that it became almost a distinctive and characteristic feature of his style.
During the sixteenth century many theorists disprezzavono this type of decoration, including the Vasari. But their spread was unstoppable.
The word "grotesque" is then passed into Italian to mean something bizarre and unusual, taking on the connotation of "ridiculous," ironizzante and caricature.
Once, we in the family, the word "cave" was at home, for David, his brothers and friends often went to explore the caves near Rome. Back home, told their adventures with enthusiasm and I was left aghast. Intrigued, I went with them once and I wrote a story that transcribe in the next section.
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